Serbian Directors

Below are some of the best Serbian directors ever. Click on their pictures to discover more about them

A Brief History of Serbian Cinema

Serbian cinema dates back to the early 20th century, with the first film shot in Serbia being “Život i dela besmrtnog vožda Karađorđa” (“The Life and Deeds of the Immortal Leader Karađorđe”) in 1911, directed by Ilija Stanojević. This silent film is considered the first Serbian feature film.

During the interwar period, Serbian cinema continued to develop, though the lack of technological resources and political turmoil somewhat hindered it. World War II and the subsequent establishment of socialist Yugoslavia brought significant changes. Film production was nationalised, and the industry saw increased support and infrastructure development, including the founding of Avala Film in Belgrade, which became a major production hub.

The 1960s and 1970s marked the golden era of Yugoslav cinema, with Serbian directors playing a pivotal role. This period saw the emergence of the Black Wave, a movement characterised by its critical and realistic portrayal of Yugoslav society, tackling previously taboo subjects such as sexual and political repression. Directors like Dušan Makavejev, Aleksandar Petrović, and Živojin Pavlović became internationally recognised for their innovative and often controversial works. Makavejev’s “WR: Mysteries of the Organism” and Petrović’s “I Even Met Happy Gypsies” are standout films from this era, celebrated for their avant-garde style and socio-political commentary.

Post-1990s, after the breakup of Yugoslavia, Serbian cinema faced numerous challenges, including reduced funding and political instability. However, the industry persevered and evolved, producing films that reflected the tumultuous times. Directors like Emir Kusturica and Goran Paskaljević gained international acclaim. Kusturica, with films like “Underground” and “Black Cat, White Cat”, created a unique cinematic style blending magical realism with biting social commentary. Meanwhile, Paskaljević’s “Cabaret Balkan” and “The Powder Keg” offered raw insights into the region’s complex realities.