The first Armenian film, “Hin Astvatsner” (Old Gods), was produced in 1925 and directed by Hamo Beknazarian, who is often referred to as the father of Armenian cinema. This silent black-and-white film was a significant achievement for the time and marked the beginning of the Armenian film industry. Throughout the Soviet era, Armenian cinema flourished under state sponsorship, with filmmakers having access to resources that allowed them to craft unique narratives reflective of Armenian culture and history. The Yerevan Cinema Studio, established in 1923, became the hub for Armenian filmmakers, nurturing talents and producing films that were recognised not only in the Soviet Union but also internationally.

The Soviet period saw the rise of many notable Armenian directors who made significant contributions to the art of cinema. Among them was Sergei Parajanov, whose visually arresting and poetic films such as “The Colour of Pomegranates” gained international acclaim for their innovative storytelling and aesthetics. Another prominent director was Artavazd Peleshian, known for his theory of “distance montage,” showcased in his documentaries that reflect the rhythm and pulse of life. 

In the 21st Century, Armenian cinema has faced a lot of challenges: Funding, exposition and a need for modernisation.