Every year, hundreds of movies are released. Some are good, some are bad, and some are plain forgettable. Generally speaking, by the end of any year, only around 60-ish movies really matter in general discourse, and even the majority of these won’t really stand out to the general public.
What’s been this year’s big films that have stood the test of the year? Barbie, Oppenheimer, Poor Things, Past Lives, The Holdovers, Killers of the Flower Moon, Anatomy of a Fall, The Zone of Interest. With the exception of Past Lives and (maybe) Anatomy of a Fall, you could have guessed the rest by December 2022, so that’s what I’m trying to do here. List the 60 most anticipated films and evaluate their chances. I’m not going down the standard anticipated route of listing the movies that could break box office records as that doesn’t really interest me; instead, I’m expecting the films that will still be standing come December 2024.
Some will fail to achieve the lofty standards set on them, but hopefully, they’ll all be worth paying attention to. We’re generally staying away from debuts or indie films as they’re much more unpredictable.
Quite a few major directors’ potential films for this year aren’t 100% likely to be released in 2024, like Spielberg’s Bullitt, so we’ve generally steered clear of those without any solid news reports around them.
Below are the films; I’ll create posts for each title detailing the movie and why they might be worth making room for on your calendar.
- Dune: Part Two – Denis Villeneuve
- Mickey 17 – Bong Joon-ho
- Nosferatu – Robert Eggers
- Furiosa – George Miller
- Megalopolis – Francis Ford Coppola
- Kind of Kindness – Yorgos Lanthimos
- Blitz – Steve McQueen
- The Way of the Wind – Terrence Malick
- Joker: Folie a Deux – Todd Phillips
- Gladiator 2 – Ridley Scott
- MaXXXine – Ti West
- Civil War – Alex Garland
- The Bikeriders – Jeff Nichols
- Beetlejuice 2 – Tim Burton
- Horizon – Kevin Costner
- Drive Away Dolls – Ethan Coen
- Father Mother Sister Brother – Jim Jarmusch
- Bird – Andrea Arnold
- The Perfumed Hill – Abderrahmane Sissako
- The End – Joshua Oppenheimer
- Hard Truths – Mike Leigh
- The Shrouds – David Cronenberg
- Anora – Sean Baker
- Juror #2 – Clint Eastwood
- Hope – Na Hong-jin
- Maria – Pablo Larrain
- We Shall Be All – Jia Zhangke
- The Empire – Bruno Dumont
- Here – Robert Zemeckis
- Rebel Ridge – Jeremy Saulnier
- The Actor – Duke Johnson
- Oh Canada – Paul Schrader
- Presence – Steven Soderbergh
- The Apprentice – Ali Abassi
- Challengers – Luca Guadagnino
- Queer – Luca Guadagnino
- In the Hands of Dante – Julian Schanbel
- Emilia Perez – Jacques Audiard
- Trey Edward Shults’ Untitled A24 Film
- Materialists – Celine Song
- Twisters – Lee Isaac Chung
- The Governess – Joe Talbot
- Mother Mary – David Lowery
- Partenhope – Paolo Sorrentino
- C’est Pas Moi – Leos Carax
- Love Lies Bleeding – Rose Glass
- Eden – Ron Howard
- Untitled Jordan Peele Film
- Polaris – Lynne Ramsay
- We Live in Time – John Crowley
- A Quiet Place: Day One – Michael Sarnoski
- The Fall Guy – David Leitch
- Havoc – Gareth Evans
- The Gorge – Scott Derrickson
- IF – John Krasinski
- Mufasa: The Lion King – Barry Jenkins
- Kingdom of the Planet of the Apes – Wes Ball
- Mother’s Instinct – Benoit Delhomme
- Nightbitch – Marielle Heller
- Wizards – David Michod
- In The Blink Of An Eye – Andrew Stanton
- Humane – Caitlin Cronenberg
- Longlegs – Osgood Perkins
- Y2K – Kyle Mooney
- Hors de Temps – Olivier Assayas
There are many filmmakers who might have been able to make a film made by the end of the year which could/should appear on this list (For 2024, I’d anticipate Paul Thomas Anderson, Richard Linklater, Pawel Pawlikowski, etc could get one made by December) but at the moment there isn’t much concrete reasoning behind this. Although hopefully they manage to pull it off.
